Sound Engineer · Bergamo

Everything starts with listening.

Recording · Mixing · Production · Dolby Atmos

Giorgio Canini in the control room
Approach

Every project needs a different approach.

Sometimes it means recording eleven musicians playing together. Sometimes it means spending days looking for the right sound. Other times you need to move quickly, trust the performance and not lose the energy of the moment.

I work with artists to understand what makes their music feel true to them, and build the process around that.

Selected Work
In acque sconosciute

SPINOZO — In acque sconosciute

Album · 2024
Production · Recording · Editing · Mixing · Mastering

Quasi dipinto

ALÈRI — Quasi dipinto

Album · 2025
Recording · Editing · Mixing · Mastering · Dolby Atmos

Il ragazzo della Drina

IL RAGAZZO DELLA DRINA

Film · 2025
Sound Editing · Re-Recording Mix

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Services

Different projects need different things.

Recording · Mixing · Production · Dolby Atmos · Audio Post-Production

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Studio
Dolby Atmos control room
Dolby Atmos

Mixing beyond stereo.

I work in a certified 7.1.4 Dolby Atmos Music room, where I can take a project from a stereo mix through to its immersive version. A different way of working with depth, distance and space, while keeping the focus where it belongs: on the music.

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The Final Listen

A project doesn’t end when I export the mix.

Whenever possible, at the end of a project we meet in the studio. We listen from beginning to end, make the final changes and go back to the details that really matter.

Then we turn it up.

Final Listen

Tell me what you’re working on.

Let’s start there →